Tag Archives: motion

Perpetual Motion

I sustained a hip stress fracture injury late last year.

Diagnosis: too much motion.

Symptom: pain.

Recovery plan: s-t-o-p.

I was basically overdoing it. I was training for a marathon and I was simply running too much for what my body could handle. A bit like a repetitive strain injury. The immediate need to stop walking, stop running and generally limit the weight-bearing activity I did was rather depressing for someone who loves being active and wandering around like me. It also highlighted how hard it is to accept limitations to our mobility – I was grateful not to have a chronic mobility issue. Especially in a city like New York where the public transport system is NOT geared to the mobility-challenged. Suddenly I became incredibly aware of how much I loved walking around everywhere, how much I missed having a car, how much more I was going to be paying for cabs over the coming months – not a happy thought!

It also made me realize that the big cities we live in are hives of activity. Constantly in flux and transition. Tiring – no, exhausting! A grand tide of movement we cannot control. Overwhelming even. High density living above all creates this effect: bustling shops, packed streets, trafficked avenues, cramped subway carriages, much opportunity for human observation and interaction. Much of the power of cities – the energy they create, the vibe and reputation they develop – comes from their population density and the ability to encourage ideas to flow and interact, to integrate into new ways of thinking, innovations and creativity.

Crazily enough, at work this topic seems to have come up in one of the many chat sessions I observed, one day discussing the percentage likelihood of dying of the flu (a happy thought, right!? I believe in response to the free vaccination option during a cold winter!). This raised (somewhat randomly) the fact that New York does not even arise in the top 100 most densely populated cities – so while it is plenty dense by developed world standards, it doesn’t feel as tightly wound up as it could be! Another talk I went to with a well known architect spoke about population density as an opportunity for effective resource management: indeed, if the population density of Manhattan (sprawl up, not out) applied to the world…all 7 billion population in the world could fit into the State of Colorado – crazy! Check out this cool website for more info: whatismissing.net!

All this is to say – we live in a world of perpetual motion. Of unmitigated change. So why not allow our photos, our art, to sometimes show this? Rather than pretending that the world stops for us to capture a moment, why not embrace the blur? The imperfection, the fleeting stance, the transient moment, where the characters within our story are not still, but in the process of completing some action, some movement. The below are some of my experimental shots taken while meandering the city – some in coffee shops, some hidden behind poles near Central Park trying to carve out space from which to capture shots, some in public parks. They are all imperfect. They were all taken while I was not perfectly still – no tripod – just my shaky hands. They are an authentic touch of real life in action.

More on the need for meditation to come…and thank goodness I am mobile again!

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Green Tea Layer Cake at Lady M, UES

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Undecided – chocolate eclair or mont blanc? Lady M, UES

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Opposites Attract or Matching Moment – Black and Pink, Pink and Black? Lady M, UES

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Uncertainty – who’s doing what? Unsure where to look… Lady M, UES

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Pink shirt on generic subway platform

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Pidgeons waiting for the next carriage patron, Central Park

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The Plaza, The Pole and That Yellow Cab #1

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The Plaza, The Pole and That Yellow Cab #2

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The Plaza, The Pole and That Yellow Cab #3

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Dimlit brunch, UES

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Play me a song Mr Piano Man, Washington Square Park

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Pink jacket stands out in the Bloomingdale’s crowd

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Cycling through, Central Park South 

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Move on – crossover; 5th Avenue

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Quiet amidst the storm

M xx

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Textile monochrome

Black and white photography captures the imagination. It distills a picture into shades of grey, into shadows and reflections. I often convert my favorite photos into black and white, to extract the essence and enjoy the underlying contrasts and colors in their most simplified form: shades of lightness and darkness.

I mentioned how much I love scarves in an earlier post, and here I integrate my love of the scarf and textiles, with 5 reasons why I also love monochrome:

1. Black and white is timeless

Our culture sees black and white as speaking of the past. It has connotations of history, of all things vintage, of reaching into a long lost memory. Somehow, black and white now makes a photo look ageless and timeless. That is a great quality.  And if you like history, black and white makes a photo even more beautiful because every moment in the present will someday be part of someone’s story and history.

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Paisley Mountain

2. Contrast heightens impact

My favorite shots are often those with some contrast to highlight or heighten either an emotive response, or an aesthetically satisfying combination. The contrast of light and dark , shadow and brightness, is the ultimate. It makes an impact on the eye and the response to an image.

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Scarf overload

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Tassels in the middle

3. Color matching no longer matters

Not every color looks good together! Not every combination works. But when distilled into light and dark rather than colorful hues, then it no longer matters!

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Overlap

4. Composition is key

Related to matching colors; when we remove the element of color from the equation, the satisfaction we feel when we look at an image also becomes all about the composition. The movement. The placement. I love the below photo of a patterned silk scarf because the placement almost made it look like a wave. The curves and curling motion of the fabric reminded me of a whirlpool. Never mind that the scarf itself was super colorful, with purple, red, white and yellow – the placement and overlapping folds made it fun to look at even in b&w.

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Charybdis, the textile whirlpool

5. Focus on texture

Just as composition becomes more important when a photo is stripped bare into monotone, so too the texture of the photo becomes valuable. Here texture is so visible because we are talking about fabric, textiles. But even with a landscape, or a portrait, the texture of the land or nature, or a face and skin, becomes heightened and a central part of the photo. I love that the creation and construction of the materials in the photo become more evident. Just look at the thin threads that you can see so much more clearly in the righthand scarf below…so beautifully textured!

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Floral interruption

M xx